Painting With A Camera Workshop Details
Who: Stephen Black
What: Painting with a Camera, a series of photographic workshops
When; 2-4 pm Saturdays and Sundays, beginning April 8 & 9
Where: Instinc, 23 Emerald Hill Rd.
Cost: Each class can be taken individually for a charge of $50. All 5 workshops can be taken for $240. There is a group discount of 10% for group of 3 or more.
For more information, please email blacksteps@gmail.com or visit http://stephenblackupdate.blogspot.com/ or /www.instinc.com
Painting with a Camera Workshops
Painting with a Camera is a series of workshops that enable students to move beyond ‘taking pictures’ and towards creating images with a personal style. The workshops promote the use of photography as a means of self-expression. Lectures, examples, demonstrations and exercises highlight the varieties of expression which photography is capable of. Each class also simply explains technical matters. There will be a class blog and simple internet activities.
Emphasizing the development of a personal approach to photography, Painting with a Camera is recommended for those interested in photography, travel, poetry, design and visual communication. Students are encouraged to bring in work for critique.
Please note:
-in order to make the workshops as interesting as possible, participants are asked to fill out a short questionnaire about their background, camera and interests
-a brief email bulletin is sent to each participant before each workshop. The email contains websites and ideas related to the topic to be discussed
-depending upon interest, there is the possibility of a group exhibition at the instinct gallery. There would be an extra charge for this.
Painting with a Camera (April 8 & 9)
-Creating images with a personal style
-Seeing light and recording it.
-Perceiving time and recording it.
-The brain, the senses and photography
-Previsualization-what it is and how to use it to create strong images.
-The camera as a recording instrument, the camera as a notebook, the camera as a brush
-What digital photographers can learn from analog photographers
-Lenses-focal length and apertures
-Flash
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera : Portraits and Self-Portraits(April 15 & 16)
- Personal style and portraiture
-Examples of Portraits and Self-Portraits
-The Decisive moment
-Posing Theory, Snapshots,
- Lens Choices, Shutter Speeds, Filters
-Lighting: Examples and Suggestions
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Environments and Landscapes (April 22 & 23)
-Natural light and how the camera records it
-“Golden hour”
-Nature photography
-Architectural photography
-Recording society
-Personal Environment
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Fine Art Photography/Postmodern/Conceptual Photography (April 29 & 30)
-Photography: The past 100 years, the present and the future
-What Can’ Digital’ Learn From ‘Analogue’?
-What is Fine Art Photography?
What is Conceptual Photography?
-What is Postmodern Photography?
-The Photoshop Influence
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Publishing, Galleries and the Realities of the Art World
-Preparing a Portfolio
-Physical galleries
-Online galleries/digital photo sites
-Self Publishing
-Art World Economics
-Sales
-Stock Agencies
-Photography’s “place” in the contemporary art world
-Photography becomes art when it records the range
-Critique of student’s work
BIO
Stephen Black graduated from the Rochester Institute of Technology with a BFA in Photographic Illustration.. He has worked as a photographer in New York, Tokyo, Hong Kong and Paris. His clients have included the South China Morning Post, Playboy, Epic-Sony and many others. His photographic artworks are represented by galerie omote-sando in Tokyo and his stock commercial work is represented by Jupiter Images in Los Angeles. His work can be found in the collections of The Tokyo Metropolitan Museum of Photography, the collection of Columbia College, ZA MOCA (Johnnie Walker’s Zouth Asian Museum of Contemporary Art) and numerous private collections.
He is also a writer, a filmmaker and a producer of virtual worlds.
What: Painting with a Camera, a series of photographic workshops
When; 2-4 pm Saturdays and Sundays, beginning April 8 & 9
Where: Instinc, 23 Emerald Hill Rd.
Cost: Each class can be taken individually for a charge of $50. All 5 workshops can be taken for $240. There is a group discount of 10% for group of 3 or more.
For more information, please email blacksteps@gmail.com or visit http://stephenblackupdate.blogspot.com/ or /www.instinc.com
Painting with a Camera Workshops
Painting with a Camera is a series of workshops that enable students to move beyond ‘taking pictures’ and towards creating images with a personal style. The workshops promote the use of photography as a means of self-expression. Lectures, examples, demonstrations and exercises highlight the varieties of expression which photography is capable of. Each class also simply explains technical matters. There will be a class blog and simple internet activities.
Emphasizing the development of a personal approach to photography, Painting with a Camera is recommended for those interested in photography, travel, poetry, design and visual communication. Students are encouraged to bring in work for critique.
Please note:
-in order to make the workshops as interesting as possible, participants are asked to fill out a short questionnaire about their background, camera and interests
-a brief email bulletin is sent to each participant before each workshop. The email contains websites and ideas related to the topic to be discussed
-depending upon interest, there is the possibility of a group exhibition at the instinct gallery. There would be an extra charge for this.
Painting with a Camera (April 8 & 9)
-Creating images with a personal style
-Seeing light and recording it.
-Perceiving time and recording it.
-The brain, the senses and photography
-Previsualization-what it is and how to use it to create strong images.
-The camera as a recording instrument, the camera as a notebook, the camera as a brush
-What digital photographers can learn from analog photographers
-Lenses-focal length and apertures
-Flash
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera : Portraits and Self-Portraits(April 15 & 16)
- Personal style and portraiture
-Examples of Portraits and Self-Portraits
-The Decisive moment
-Posing Theory, Snapshots,
- Lens Choices, Shutter Speeds, Filters
-Lighting: Examples and Suggestions
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Environments and Landscapes (April 22 & 23)
-Natural light and how the camera records it
-“Golden hour”
-Nature photography
-Architectural photography
-Recording society
-Personal Environment
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Fine Art Photography/Postmodern/Conceptual Photography (April 29 & 30)
-Photography: The past 100 years, the present and the future
-What Can’ Digital’ Learn From ‘Analogue’?
-What is Fine Art Photography?
What is Conceptual Photography?
-What is Postmodern Photography?
-The Photoshop Influence
-Blog with suggested links to online examples
-Critique of student’s work
Painting with a Camera: Publishing, Galleries and the Realities of the Art World
-Preparing a Portfolio
-Physical galleries
-Online galleries/digital photo sites
-Self Publishing
-Art World Economics
-Sales
-Stock Agencies
-Photography’s “place” in the contemporary art world
-Photography becomes art when it records the range
-Critique of student’s work
BIO
Stephen Black graduated from the Rochester Institute of Technology with a BFA in Photographic Illustration.. He has worked as a photographer in New York, Tokyo, Hong Kong and Paris. His clients have included the South China Morning Post, Playboy, Epic-Sony and many others. His photographic artworks are represented by galerie omote-sando in Tokyo and his stock commercial work is represented by Jupiter Images in Los Angeles. His work can be found in the collections of The Tokyo Metropolitan Museum of Photography, the collection of Columbia College, ZA MOCA (Johnnie Walker’s Zouth Asian Museum of Contemporary Art) and numerous private collections.
He is also a writer, a filmmaker and a producer of virtual worlds.

